{"id":3415,"date":"2023-03-06T00:10:43","date_gmt":"2023-03-06T00:10:43","guid":{"rendered":"https:\/\/www.sleepingfortomorrow.com\/sft\/?p=3415"},"modified":"2023-09-08T07:04:41","modified_gmt":"2023-09-08T07:04:41","slug":"talk-no-8-conversation-with-richard-deacon-time-footprints","status":"publish","type":"post","link":"https:\/\/www.sleepingfortomorrow.com\/sft\/2023\/03\/06\/talk-no-8-conversation-with-richard-deacon-time-footprints\/","title":{"rendered":"Talk No.8- Conversation With Richard Deacon &#8211; Time &#038; Footprints"},"content":{"rendered":"<section  class='av_textblock_section av-lc4y5j72-6ee18ec17492a322a20ff3b5ac286ab7'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Talk No.8 <\/strong>&#8211; <strong>Conversation with Richard Deacon<\/strong>&#8211; British abstract sculptor\/artist, winner of the Turner prize (1987).<\/p>\n<\/div><\/section>\n<div class='flex_column av-35jv4n-b3bacf9be6cf4b83643fe66ad1ca3bc9 av_three_fourth  avia-builder-el-1  el_after_av_textblock  el_before_av_hr  first flex_column_div column-top-margin'     ><section  class='av_textblock_section av-lexf1ysc-0712e26ea26c4e2c4c93ad6004765db4'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Talk No.8- Conversation with Richard Deacon- British abstract sculptor winner the  Turner prize 1987\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/Cm5vHNx5qtc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/section><\/div>\n<div  class='hr av-2u4rqv-5e262f5340da224b0d7f3323386ea52d hr-default  avia-builder-el-3  el_after_av_three_fourth  el_before_av_three_fourth '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div class='flex_column av-8t0bon-b93df19c5b41ceea533887691a87858a av_three_fourth  avia-builder-el-4  el_after_av_hr  el_before_av_hr  first flex_column_div '     ><section  class='av_textblock_section av-lehjo1ji-05670de09066d3bca608200e6fdc4815'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Talk No.8- Conversation with Richard Deacon- British abstract sculptor winner of  Turner prize 1987\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/JQEnqqW2t04?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/section><\/div>\n<div  class='hr av-7ka0n-d7b96e969dfbbed7cfdb5a54901f8325 hr-default  avia-builder-el-6  el_after_av_three_fourth  el_before_av_one_half '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div class='flex_column av-3qk1cn-45dcf96662bd8927927460d9f137f473 av_one_half  avia-builder-el-7  el_after_av_hr  el_before_av_one_half  first flex_column_div '     ><section  class='av_textblock_section av-leqxri58-f81d1493277930d2793fc6408abcdbc3'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Part 1.<\/strong><\/p>\n<p data-pm-slice=\"1 1 &#091;&#093;\">in the first part of our talk with <strong>Richard Deacon<\/strong>, he shared with us where and how he worked at the time of the Covid, not being able to work from his studio, being confined to a different place.<\/p>\n<p>He shared how a big commissioned work for the USA was realized and, what is planned with it, how he prepared and communicated via the internet for new exhibitions without being in the actual place in Berlin, China.<\/p>\n<p>We also discussed &#8220;time and footprints&#8221;, and his latest solo exhibition in the Lisson Gallery, Shanghai.<\/p>\n<p>At the end of part 1, Richard revealed some of the new directions of his new works that evolved in the last eighteen months.<\/p>\n<\/div><\/section><\/div>\n<div class='flex_column av-94fmf-44955d673a53163daeb3881962097781 av_one_half  avia-builder-el-9  el_after_av_one_half  el_before_av_one_half  flex_column_div '     ><section  class='av_textblock_section av-leqxt0vg-8102545d06615da831d65704c8a7afcf'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Part 2.<\/strong><\/p>\n<p data-pm-slice=\"1 1 &#091;&#093;\">In the 2nd part, we discussed Richard\u2019s artistic approach to art, sculpture and fabrication.<\/p>\n<p>He shared with us what was happening in the UK from his point of view during the pandemic and how he heard of it for the first time from his friends in China: &#8220;something is coming, and it is really bad.&#8221;<\/p>\n<p>How he communicated with people and friends.<\/p>\n<p>At the end of this part, Richard shares his thoughts and reflections about our recent life.<\/p>\n<\/div><\/section><\/div>\n<div class='flex_column av-67ywzb-7ea9dc1991cc3dbed95e8441ca99c0d1 av_one_half  avia-builder-el-11  el_after_av_one_half  el_before_av_one_half  first flex_column_div column-top-margin'     ><section  class='av_textblock_section av-leqyrt7o-797290e3cd6d2c2a1fae5eb97566ee78'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>&#8212;&#8212;<\/p>\n<p>Introduction<\/p>\n<p>00:00 &#8211; 01:12<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Chapter 1.<\/p>\n<p>Part 1.<\/p>\n<p>01:13 &#8211; 05:42<\/p>\n<p>The effects of the pandemic on the<\/p>\n<p>works &amp; process of Richard Deacon<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Part 2.<\/p>\n<p>05:43 &#8211; 12:42<\/p>\n<p>Project &amp; process at the time of the Corona<\/p>\n<p>&#8211; In the Air, USA<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Part 3.<\/p>\n<p>12:43 &#8211; 19:54<\/p>\n<p>Exhibitions<\/p>\n<p>&#8211; Berlin area, Germany, China &#8211; Lisson Gallery Shanghai<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Part 4.<\/p>\n<p>19:55 &#8211; 25:36<\/p>\n<p>New groups of works<\/p>\n<p>Plans for this new group of works<\/p>\n<\/div><\/section><\/div>\n<div class='flex_column av-ewjwn-695cb85765ee35c93ccbeb3e0bf49abf av_one_half  avia-builder-el-13  el_after_av_one_half  el_before_av_one_half  flex_column_div column-top-margin'     ><section  class='av_textblock_section av-lewqha9n-52c18e6b916bfbef6cd30d15329a0dc1'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>&#8212;&#8212;<\/p>\n<p>Chapter 2.<\/p>\n<p>00:18 &#8211; 11:36<\/p>\n<p>Art, sculpture &amp; fabrication<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Chapter 3.<\/p>\n<p>Experiences<\/p>\n<p>Part 1.<\/p>\n<p>11:37 &#8211; 18:55<\/p>\n<p>Corona in the UK and around<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Part 2.<\/p>\n<p>18:56 &#8211; 21:30<\/p>\n<p>Art community, art and<\/p>\n<p>reflection<\/p>\n<p>&#8212;&#8212;<\/p>\n<p>Part 3.<\/p>\n<p>21:31 &#8211; 22:57<\/p>\n<p>Thoughts and reflections about the present<\/p>\n<\/div><\/section><\/div>\n<div class='flex_column av-1zkl9j-5e5fc184573dee0cf680d785445811d1 av_one_half  avia-builder-el-15  el_after_av_one_half  el_before_av_one_half  first flex_column_div column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-leqyt9db-449343bfefb44bb36f7cf9cb978f63f9\">\n#top .av_textblock_section.av-leqyt9db-449343bfefb44bb36f7cf9cb978f63f9 .avia_textblock{\ncolor:#298aff;\n}\n<\/style>\n<section  class='av_textblock_section av-leqyt9db-449343bfefb44bb36f7cf9cb978f63f9'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><strong>Links Part 1.<\/strong><\/p>\n<p>.<\/p>\n<p><a href=\"https:\/\/www.lissongallery.com\/exhibitions\/richard-deacon-harbour\">Lisson Gallery<\/a>&#8211; Richard Deacon: Harbour Shanghai, 29 October 2022 \u2013 14 January 2023<\/p>\n<p><a href=\"https:\/\/www.galeriethomasschulte.de\/exhibition\/fourfold-way\/\" target=\"_blank\" rel=\"noopener\">Galerie Thomas schulte<\/a><\/p>\n<p><a href=\"https:\/\/www.sbfsculpture.com\/\" target=\"_blank\" rel=\"noopener\">St. Bride&#8217;s Farm, Upperville, VA, U.S.A<\/a><\/p>\n<p><a href=\"https:\/\/www.sculpture.uk.com\/richard-deacon\" target=\"_blank\" rel=\"noopener\">New Art Centre, UK<\/a><\/p>\n<p><a href=\"https:\/\/www.tucholsky-museum.de\/index.html\" target=\"_blank\" rel=\"noopener\">Schloss Rheinsberg<\/a><\/p>\n<p><a href=\"https:\/\/www.adk.de\/en\/programme\/?we_objectID=62424\" target=\"_blank\" rel=\"noopener\">Akademie der K\u00fcnste &#8211; Richard Deacon. On the Surface<\/a><\/p>\n<p><a href=\"http:\/\/www.tagartmuseum.com\/en\/\" target=\"_blank\" rel=\"noopener\">TAG Art Museum<\/a><\/p>\n<p><a href=\"https:\/\/www.griffelkunst.de\/kuenstler-innen\/deacon\" target=\"_blank\" rel=\"noopener\">Felix Bauer, Lithographr, K\u00f6ln<\/a><\/p>\n<p><a href=\"http:\/\/www.architectural-ceramics.de\/NeueSeiten\/deacon.htm\" target=\"_blank\" rel=\"noopener\">Niels Dietrich, K\u00f6ln<\/a><\/p>\n<p><a href=\"https:\/\/ropac.net\/artists\/38-richard-deacon\/\" target=\"_blank\" rel=\"noopener\">Galerie Ropac<\/a><\/p>\n<p><a href=\"https:\/\/lalouver.com\/artist.cfm?tArtist_id=229\" target=\"_blank\" rel=\"noopener\">LA Louver Gallery<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/daindiefront\/\" target=\"_blank\" rel=\"noopener\">Da in die Front<\/a><\/p>\n<p><a href=\"https:\/\/www.richarddeacon.net\/\" target=\"_blank\" rel=\"noopener\">Richard Deacon Studio<\/a><\/p>\n<\/div><\/section><\/div>\n<div class='flex_column av-389lnb-636a412c59383188ffe356df7bba3396 av_one_half  avia-builder-el-17  el_after_av_one_half  el_before_av_hr  flex_column_div column-top-margin'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lewqs1ya-e3f3c58b569f97b9583c796720b69214\">\n#top .av_textblock_section.av-lewqs1ya-e3f3c58b569f97b9583c796720b69214 .avia_textblock{\ncolor:#298aff;\n}\n<\/style>\n<section  class='av_textblock_section av-lewqs1ya-e3f3c58b569f97b9583c796720b69214'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><strong>Links Part 2.<\/strong><\/p>\n<p>.<\/p>\n<p><a href=\"https:\/\/www.tate.org.uk\/whats-on\/tate-britain\/richard-deacon\" target=\"_blank\" rel=\"noopener\">TATE BRITAIN<\/a><\/p>\n<p><a href=\"https:\/\/www.mariangoodman.com\/artists\/richard-deacon\/\" target=\"_blank\" rel=\"noopener\">Marian Goodman Gallery<\/a><\/p>\n<p><a href=\"https:\/\/www.richarddeacon.net\/\" target=\"_blank\" rel=\"noopener\">Richard Deacon Studio<\/a><\/p>\n<\/div><\/section><\/div>\n<div  class='hr av-4vdy0n-800dae2526e820eff4a776e90504db3c hr-default  avia-builder-el-19  el_after_av_one_half  el_before_av_image '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lc4umzca-779cac7c09ebd2837e474954b6389b5a\">\n.avia-image-container.av-lc4umzca-779cac7c09ebd2837e474954b6389b5a img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-lc4umzca-779cac7c09ebd2837e474954b6389b5a .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-lc4umzca-779cac7c09ebd2837e474954b6389b5a av-styling- avia-align-left  avia-builder-el-20  el_after_av_hr  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-3417 avia-img-lazy-loading-not-3417 avia_image ' src=\"https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/Deacon-portrwt-copy-300x218.jpg\" alt='' title='Deacon portrwt copy'  height=\"218\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/Deacon-portrwt-copy-300x218.jpg 300w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/Deacon-portrwt-copy-768x559.jpg 768w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/Deacon-portrwt-copy-705x513.jpg 705w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/Deacon-portrwt-copy.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div>\n<section  class='av_textblock_section av-lc4uw825-b03b11ecdb44afdae35d99d5df91aff4'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Richard Deacon<\/strong><\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-lc4uf0h2-ac643ed5ea843d6763c1aa6755a27b80'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Richard Deacon is a British abstract sculptor\/artist and the winner of the Turner Prize (1987), best known for his large, lyrical open forms.<\/p>\n<p>He lives and works in London and working in the UK, Europe, the US, and Asia.<\/p>\n<p>Deacon was born in 1948 in Bangor, Wales, UK., and trained at the Somerset College of Art in Taunton, St. Martins School of Art, Chelsea School of Art, and the Royal College of Art in London.<\/p>\n<p>Deacon&#8217;s work\u00a0is\u00a0playful, with references\u00a0to\u00a0the human body and the curiosities of everyday life\u00a0and with\u00a0interaction\u00a0with the\u00a0social space.<\/p>\n<p>In his sculptural work, Deacon uses a wide range of materials, including laminated plywood, concrete, stainless steel, plastics, and clay.<\/p>\n<p>From an early stage in his career, he began experimenting with different media and forms of expression. Drawing and writing quickly became an integral part of his artistic method and are central to his performance documentation.<\/p>\n<p>His work seems initially abstract at times; the sculptures\u2019 forms billow, churn, and ripple, approximating the anatomical, suggesting recognizable or organic shapes to the viewer without ever collapsing completely into the already familiar.<\/p>\n<p>In his sculptural work, Deacon uses a wide range of materials, including:<\/p>\n<\/div><\/section>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lc4yx81q-7783209c3632dee91b3821540ebdce0f\">\n.avia-image-container.av-lc4yx81q-7783209c3632dee91b3821540ebdce0f img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-lc4yx81q-7783209c3632dee91b3821540ebdce0f .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-lc4yx81q-7783209c3632dee91b3821540ebdce0f av-styling- avia-align-center  avia-builder-el-23  el_after_av_textblock  el_before_av_hr '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-3432 avia-img-lazy-loading-not-3432 avia_image ' src=\"https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-513x705.jpg\" alt='' title='clay2--ricard-matrial-list'  height=\"705\" width=\"513\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-513x705.jpg 513w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-218x300.jpg 218w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-749x1030.jpg 749w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-768x1056.jpg 768w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-1117x1536.jpg 1117w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-1489x2048.jpg 1489w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-1091x1500.jpg 1091w, https:\/\/www.sleepingfortomorrow.com\/sft\/wp-content\/uploads\/2022\/12\/clay2-ricard-matrial-list-scaled.jpg 1861w\" sizes=\"(max-width: 513px) 100vw, 513px\" \/><\/div><\/div><\/div>\n<div  class='hr av-39d947-5a934411da4be4d828dae414684746a5 hr-default  avia-builder-el-24  el_after_av_image  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-lc4ujdqo-1f2c075ba629670c4b58652b5b05cd6b'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Deacon is the recipient of the 1987 Turner Prize and was made Commander of the British Empire in 1996. In 2017, he was awarded the Ernst Franz Vogelmann-Preis f\u00fcr Skulptur. In 2004, he was awarded the Will-Grohmann-Preis. In 1997, he was awarded the Chevalier des Arts et des Lettres by the Ministry of Culture in France, and in 1998 was elected a Royal Academician. The Akademie der K\u00fcnste in Berlin elected him a member in 2010.<\/p>\n<p>Alongside numerous solo exhibitions in museums in Europe, the US, and Asia, he has participated in many of the most significant survey exhibitions, Including the Skulptur Projekte M\u00fcnster (1987), Carnegie International (1991), Documenta 9, Kassel (1992), Biennale de Venezia (Welsh pavilion) (2007), Wuzhen International Contemporary Art Exhinbition in Wuzhen, China (2016).<\/p>\n<p>Recent solo exhibitions include the New Art Centre, Salisbury (2021), Kurt Tucholsky Literaturmusem, Schloss Rheinsberg (2021), Prague City Gallery (2017), Middelheimmuseum (2017), San Diego Museum of Fine Art (2017), Langen Foundation and Skulpturenhalle Thomas Sch\u00fctte in Neuss (2016), Museum Folkwang (2016), Kunstmuseum Winterthur (2015), Tate Britain (2014), University of New Mexico Art Museum (2011), and Sprengel Museum (2011). Recent group exhibitions include Creative Folkestone Triennial 2021, Folkestone, UK, Fundaci\u00f3n Bancaja, Valencia (2021), National Museum of Art, Cardiff, Wales (2017).<\/p>\n<p>He has held professorships and taught at different institutions and Academies in the UK, Europe, the US and China. After 38 years he retired from teaching in 2017, his final appointment being as Professor at the Kunstakademie D\u00fcsseldorf \u2013 &#8216;a beautiful place to finish, he says\u2019.<\/p>\n<\/div><\/section>\n<div  class='hr av-cyvk2v-fab4a75bdc86d88605c17e5eafc0773a hr-default  avia-builder-el-26  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<section  class='av_textblock_section av-lc4v1gs4-0e843112c54d4ef7f3056ebeea873589'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Photos: \u00a9 Richard Deacon Studio, John D. Adams, Talk No.8, part 1,2<a href=\"https:\/\/art21.us18.list-manage.com\/track\/click?u=f329f3b87f0aea231fba60d95&amp;id=ff131a036d&amp;e=c37222ec99&amp;utm_source=Sleeping+fortomorrow&amp;utm_campaign=fcba48bb18-EMAIL_CAMPAIGN_2023_02_24_05_55&amp;utm_medium=email&amp;utm_term=0_-fcba48bb18-%5BLIST_EMAIL_ID%5D\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/art21.us18.list-manage.com\/track\/click?u%3Df329f3b87f0aea231fba60d95%26id%3Dff131a036d%26e%3Dc37222ec99%26utm_source%3DSleeping%2Bfortomorrow%26utm_campaign%3Dfcba48bb18-EMAIL_CAMPAIGN_2023_02_24_05_55%26utm_medium%3Demail%26utm_term%3D0_-fcba48bb18-%255BLIST_EMAIL_ID%255D&amp;source=gmail&amp;ust=1678897663672000&amp;usg=AOvVaw0rCgYF9kw0BBKidMdNDKGo\">:<\/a>\u00a0Richard Deacon: Time &amp; Footprints,\u00a0Amit Goffer<em>\u00a0Studio, 2023<\/em><\/p>\n<\/div><\/section>\n<div  class='hr av-2ayts7-aa8e5fa977e9cfb3ff0de0e9956a4840 hr-default  avia-builder-el-28  el_after_av_textblock  el_before_av_post_metadata '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='av-post-metadata-container av-9keh87-8a5e52c3e0ce59404077aeb18fe51c4b av-metadata-container-align-left  avia-builder-el-29  el_after_av_hr  el_before_av_social_share  av-metadata-container-1'><div class='av-post-metadata-container-inner'><span class=\"av-post-metadata-content av-post-metadata-meta-content\"><span class=\"av-post-metadata-content av-post-metadata-author\"  itemprop=\"author\" ><span class=\"av-metadata-before av-metadata-before-author\">by<\/span><span class=\"av-post-metadata-author-link\" ><a href=\"https:\/\/www.sleepingfortomorrow.com\/sft\/author\/amit\/\"  rel=\"author\">amit<\/a><\/span><\/span><span class=\"av-post-metadata-content av-post-metadata-separator\">\/<\/span><span class=\"av-post-metadata-content av-post-metadata-modified\"><span class=\"av-post-metadata-modified-date\" >September 8, 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